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#Josh rouse movin on lyrics mod
This CD chronicles the ∨2-∘3 works of this particular mod band (featuring Tony Fletcher among its ranks) that toured with the Jam (a band that, not unlike so many other mod bands of the time, they took their cues from) and whom Weller took a shine to, recording them for his Jamming label. Apocalypse Going Up in the World Apocalypse 1982-83 CD 14/61:21 Their Motorhead-like aural assault mixed with all things redneck/white trash is certainly an entertaining combo, and I can just imagine neer-do-wells I grew up with getting a kick out of every note. And while I cant say that I listen to them very often these days, hearing their new disc ∻adwill Ambassadors only proves to me that they havent lost a step. Growing up in North Carolina, Ive known of the legend of Antiseen for years, and even caught a show or two by them during my high school years. How do they expect anyone to keep up the way they jump around? Ya gotta give em props for doing something with synth-pop that is directed by neither of those two descriptors. How dare they go and get all creative and shit. Moses Gunn and Sleep & TV fly around, with banjo in hand looking for Pinetop 7. Oh wait, the last ten seconds sounds like Brian Jonestown Massacre. I sit here trying to think of a direct comparison for the freshly squeezed Look Who You Know. But I cant. ∿ell Down Stairs shows off another attribute of singer James Boyce, namely his lighter touch.
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Song number two, The Plan, gets adventurous and balances mildly de-tuned Be Bop Deluxe vocals over a lo-fi bed of Sebadoh-ness. How their publicists, Slutty Pup, got it in their heads to promote them as synth-pop is a total mystery, but Im past the first track and Im not yet queasy. I hear tell they were favorites of the late John Peel.
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And singer Shane Quinn has a nuance to his voice that is compelling and makes it identifiable, something lacking in so much of music these days. The songs are catchy and laden with melodic bounce. They have everything that made the Cars and Cheap Trick popular in their own way. And now they have it, with this trio (if they still exist, since their Website has not been updated in 2005). Things take a turn left on the gnarly Wise Up but the songs lack a fluidity or tunefulness that might make them more approachable. Ralph and ∿ull Stop get gritty and drown the slight punk chords in the mud. Conspiracy, and its more than just squealing licks, but thats all it is. Uneasy guitars dart in and out of the amelodic vox on ∻lame and International Warner Bros. In the mood for a taste of skronk? Plug into the Adversary Workers and get your freak on with these spearminty noise rockers, but dont expect total satisfaction. Adversary Workers The Inner Workings Of Change CD 12/29:03 Outside of the name of the band, I cant think of a single bad thing to say about these guys. A lot of the framing of their songs reminds me of Death Cab for Cutie without particularly sounding like them, and there are a number of moments where a feeling of classic psychedelic pop comes over you ala the first Shins record. Im hard-pressed as to lay down exactly what these cats might sound like mellow, intelligent pop for the most part. And then it is about that time that you run across something like A Is Jump and you get happy because all is not lost, there is good music out there after all. Sometimes you get a stack of promos by bands youve never heard and if youre not in the right frame of mind, after a couple of duds youll just expect them all to be bad. A Is Jump My Ice Fingered Ghost CD 11/38:44 For some reason I feel like this would go over well in Europe. Unfortunately, those moments dont come often enough and there are more than a handful of times where this music resembles Jamiroquai, and that can be a real boner killer. Shredding Paper - indie record reviews 7/05Įvery once in a while, when this album is at its very best, it reminds me of classic Prince.